Steel in art: The Spear of Light by Arnaldo Pomodoro - Steel plays an important role in several fields, and the progresses of metallurgy have extended the scopes of this alloy, making steel increasingly used in oil and petrochemical, energy, mining, nuclear and food industries. However, steel is fit also to other, completely different types of processing, as evidenced by some famous works of art, most notably “The Arrow of Light” by Arnaldo Pomodoro, which stands in Corso del Popolo in Terni.
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You are here: DIME Home > Travel and Vacations > Steel in art: The Spear of Light by Arnaldo Pomodoro
Steel plays an important role in several fields, and the progresses of metallurgy have extended the scopes of this alloy, making steel increasingly used in oil and petrochemical, energy, mining, nuclear and food industries. However, steel is fit also to other, completely different types of processing, as evidenced by some famous works of art, most notably “The Arrow of Light” by Arnaldo Pomodoro, which stands in Corso del Popolo in Terni.
Author: Francesca Tessarollo
Date: Dec 17, 2009 - 4:15:16 AM
It is no coincidence that such an imposing steel work
rises in the Umbrian town: Terni
has indeed a long tradition in steel processing, and the work was commissioned
from the great artist in 1984, the year marking the hundredth anniversary of
the foundation of the steel mills of the city. The foundation of the steel
mills dates back to 1884, but the first factories settled between the
eighteenth and the nineteenth century, thanks to the strategic location of the
city and to an abundant water supply. During World War I the steel mills worked
above all for the war industry, and the bombardments of World war II did not
succeed in tearing down the steel mills of the city, which kept working and, in
recent times, succeeded in innovating and facing new challenges.
It was President Sandro Pertini, after a visit to the
steel mills in 1984, that suggested the realisation of a work to highlight the
importance of this industry and the ability of the people who worked hard in
it, and in the same year the managers of the steel mills and some politicians
of the city, after being quite impressed by a Pomodoro exhibition which was
held in Florence, decided to charge the great artist with the realisation of
the work. Impressed in turn by the visit to the steel mills, Pomodoro projected
an imposing obelisk with a triangular base which was meant to glorify both the
steel mills and the human mind, and which was a celebration and, at the same
time, a warning against technological breakthroughs. To realise the work
Pomodoro was helped by Mario Finocchio, director of the foundry, which
suggested using stainless steel. Stainless steel processing is indeed the
buttonhole of Terni’s
steel mills.
The realisation of the work turned out to be more
problematic than one might have imagined, because of the monumentality and the
complexity of the sculpture (about 30 metres high, four sections, each one
different from the other, hundreds of parts joined together), but from the
project to the stainless steel finishing the ability and efforts made by the
technicians brought to a very good result. In particular, they decided to
divide the sculpture, realising its parts singularly, and to put them together
in a second time: 27 cast parts, in addition to over 400 smaller pieces were
joined through electric steel welding and plasma cutting, and the result is now
plain for all: an obelisk that overlooks the surrounding space and that tells
the story of the bond between the city and steel mills. The first section, made
of cor-ten steel, gives the idea of rusty iron, and symbolises the past, while
the second and third parts, in stainless steel, symbolise the present, and the
fourth one, geometrical and plain, made of shining brass, stands for the hope
for the future.
This article was written by Francesca with support
from lavorazioni
cnc. For any information, visit lavorazione
acciaio inox or surfing on-line carpenteria
inox.
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